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Production Management by Simon Hilton.\u003cbr\u003eLove Meditation Mixes create their own space while maintaining firm, authentic roots in John Lennon’s original recording of the song. Each of the nine mixes has been radically altered, slowed down and extended, ranging from 5 to upwards of 23 minutes, allowing for the musical soundtrack to wash over the listener and provide a relaxing, immersive, deep listening and meditative experience. \u003cbr\u003eFour of the tracks are presented as Binaural Beat versions that each focus on different types of brain waves: Beta, Delta, Gamma, and Theta. Dubbed ‘Real’, ‘You’, ‘Feeling’, and ‘Knowing’, these tracks feature a Binaural Beat, an auditory illusion created within the brain when the left and right ears hear two slightly different frequencies whose difference is perceived as a new frequency which can activate different brain patterns for scientifically proven therapeutic effects. 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That eternal \u0026amp; deeply evocative jazz homage to Mahalia Jackson likewise took the #1 spot in the esteemed Francis Davis Jazz Critics Poll in 2023. Furthermore, a pair of the themes brought to vibrant new life by Red Lily on for Mahalia.. are woven into ..soulful days, and it is a wonder to hear their resonance in such a thoroughly different context.  A powerful beauty true! These Are Soulful Days is Jame Brandon LewisÂ’ first long-form composition for string quartet \u0026amp; tenor saxophone. Performed by Lewis \u0026amp; The Lutoslawski Quartet (Roksana KwaÅ›nikowska–1st violin; Marcin Markowicz–2nd violin; Artur RozmysÅ‚owicz–viola; Maciej MÅ‚odawski–cello), it was commissioned by Poland's National Forum of Music for World Premiere at the Jazztopad Festival in WrocÅ‚aw.  JBL writes: \"These Are Soulful Days is built from, and inspired by, the fabric of a quilted history of african-american music from its folk traditions of blues, spirituals and jazz. 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The collection opens with Profondo Rosso and Death Dies, taken from the soundtrack of Dario Argento's masterpiece that catapulted Goblin to fame, blending dark atmospheres, virtuosity, and a unique sense of cinematic tension. It continues with Roller drawn from the instrumental album Roller (1976), a record not tied to any film yet considered a cult cornerstone of Italian progressive music for its intricate structures and expressive power. Chi? (Part One and Part Two) follows; two tracks originally composed as the theme for a 1976 RAI television show, which saw Goblin bring their unmistakable sound to a different medium, experimenting within a shorter, punchier format. Next comes Suspiria followed by its haunting counterpart Blind Concert, from the soundtrack of Argento's 1977 horror classic. This remains one of Goblin's most iconic and unsettling works, where music becomes an active narrative force: hypnotic, percussive, and filled with eerie vocal layers that made it a cornerstone of horror soundtracks worldwide. From Il Fantastico Viaggio del Bagarozzo Mark (1978) come Un Ragazzo d'Argento and Opera Magnifica, two tracks that highlight the band's more conceptual and visionary side, a move away from cinema toward a self-contained narrative and progressive experimentation. The single Yell stands as another late-decade gem. Originally composed as the opening theme for the RAI television series \"Sette storie per non dormire\" (1978), it captures Goblin's ability to merge rock energy with electronic pulse, proving their versatility far beyond the horror realm. The compilation closes with Amo Non Amo and Funky Top, taken from the soundtrack of the 1979 film Amo Non Amo, one of the group's lesser known but fascinating cinematic works. 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