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Their impromptu jam sessions form the foundation for Wilurarrakutu's low-key sonic palette, influenced in parts by Papunya's strong local gospel music scene as well as the reggae beats often passed around the remote community via USB sticks and mobile phone transfers.\n\nOver these soundscapes, Nelson sings of family, friends, heritage, and culture, with a tone that balances joy and melancholy. They're themes and emotions that also echo through his work as a painter at the Papunya Tjupi Arts Centre. 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The band combined English-inspired noisy shoegaze fuzz with scrappy US indie rock and classic '60s-style pop songwriting. A killer single on Slumberland and non-stop touring grabbed the attention of the indie-rock cognoscenti of the day, and, following a heated courtship involving both dinner AND dessert, Velocity Girl signed a contract on a car hood in Hoboken, New Jersey, making Sub Pop their home.\u003c\/p\u003e\n\u003cp\u003eIn 1992 the band began work on their debut album, Copacetic, at Easley Studios - once home base to the Bar-Kays and other classic soul bands - in Memphis with Bob Weston (Volcano Suns, Shellac) at the helm, and then mixed the album with Weston in Chicago. While the album had strong songs - pop tunes like \"Audrey's Eyes,\" \"Pop Loser,\" and \"Living Well\" alongside ambitious explorations like \"Pretty Sister\" and \"Here Comes\" - the band had little experience with production and lacked the skills to \"drive the boat\" in the studio. As a result, the album turned out to be a rather stripped-down affair, lacking the lushness of their prior recordings. To the band's ear it was jarring, and they soon realized this wasn't the record they hoped to make. Bob Weston had done exactly what was asked of him and captured the sounds, but the band didn't do it's part to articulate a clear vision. But the band's slot in the studio was over, and Polvo had just showed up to work on their album, so off Velocity Girl went to shoot the video for \"Audrey's Eyes.\" Copacetic came out in 1993 and people seemed to like it just fine, but within the band there was a sense of disappointment to the point where most members couldn't stand to hear the record. Between then and now, the band learned a lot about recording, and Archie Moore developed a career in audio work, and the band finally decided to revisit Copacetic. 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